![]() ![]() I would personally go for the gold brass, just to make the leap from my smaller bell a bit larger. I wouldn´t mind having a 8” bell at my shelf at home as well as a smaller one, but the choice between yellow brass and gold brass is a bit tricky. It is a bit darker and more “serious” than its yellow brass sister, making it a great bell for light orchestral playing or church gigs. Very similar to the S1YLW 8 bell, but this one is gold brass. While this bell responds exceptionally well across all registers, it lacks the light, bouncy quality of the 7.75” bells when playing jazz solos. However, I find that for small group jazz gigs, a smaller bell works better for me, as it delivers a more fitting performance. ![]() It’s an ideal size for 3rd trombone positions in big band or commercial settings. This 8” yellow brass bell offers excellent responsiveness and a comfortable playing experience. Notably, older Conn trombones sport unsoldered beads, while Bach and King trombones, as well as newer Conn models, embrace the soldered bead construction. (This scenario might potentially lead to a razzling sound if the build quality falls short.)Īn unsoldered bead often yields a more intricate and resonant timbre, albeit at the expense of projection and attack clarity. In contrast, an unsoldered bead signifies that the metal ring encircling the rim remains unattached to the trombone itself. This method stands as the most prevalent technique for bell fabrication, imparting heightened stability to the bell itself and consequently facilitating greater control for the player. The bead is the rounded rim on the bell, and a soldered bead indicates that a metal strip runs along the inner rim, securely joined through soldering. Hence, the attributes of a one-piece bell, with its unique sonic signature and dynamic characteristics, did not precisely align with my specific requisites. Yet, it’s important to clarify that it’s a matter purely governed by personal preference-a distinctive and individual taste.įor my precise needs, however, I was seeking certain traits in a small-bore trombone bell primed for jazz solo performances. Intriguingly, they possess the ability to render a more expansive and open sensation, though occasionally at the expense of surgical precision. As a result, they tend to exude a touch less stability and offer a subtly mellower tonal quality. Those bells often exhibit a slight thinning of the metal toward the bell’s terminus. I did not test any one-piece bells during my evaluation. The metal in the two-piece bell gets a bit thicker towards the rim and delivers a clear sound that does not crack easily. When looking at the trombone on a stand, the soldering is made horizontal. See all the Shires small bore trombone options hereĬlick here to read my full Shires trombone review.Īll bells tested were two-piece bells, meaning that they are made of two pieces of metal that are soldered together just before the point where the bell diameter expands drastically. S1YLM 7.75 (Mediumweight yellow brass, soldered bead, 7.75″) S1YLW 7.75 (Lightweight yellow brass, soldered bead 7.75″) My choice S1RGLW 8 (Lightweight, dual alloy, red brass stem, and gold brass flare, soldered bead 8”) S1YLW 8 (Lightweight yellow brass, soldered bead 8″) T95NLW, YRC (from the Michael Davis model) Additionally, I will share the details of the particular choice I ultimately settled on for my dream trombone. In this article, I will review the trombone parts I tried, including the Michael Davis Signature Model. Unfortunately, I never got around to trying out their large bore trombones – a compelling incentive for a return visit. Since I knew I would be buying a small bore horn, this was where I started out. He set me up in the Shires showroom and kept feeding me with new trombone parts for several hours. Ben has deep knowledge about trombones of all sizes and was very helpful during my visit. My introduction was facilitated by renowned New York trombone player and Shires artist, Michael Davis, and this gave me the privilege of meeting Steve Shires, along with Ben Griffin, the Shires sales representative and accomplished trombone player. Shires is a company dedicated to their craft, possessing an in-depth understanding of every facet of trombone construction and design, from the hows and whys to even the whens. Make no mistake, appearances can be deceiving S.E. ![]() The unassuming exterior of the building belies the fact that it houses a world-class brass instrument manufacturer. Nestled in the unassuming industrial area of Hopedale, Massachusetts, the factory’s location is conveniently about an hour’s drive from Boston and a four-hour journey from New York. Shires factory, I was fortunate enough to experience firsthand the range of trombones they offer. ![]()
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